Well, admit I don’t follow that one too closely, otherwise the sex scenes in my stories would be few and far between ….
However, for the overarching main story in my universe, it is my field of expertise, so I could figure everything out in way too much detail; thus, I do ballpark calculations, and be happy with nice, round numbers.
This is pretty much what I was going to say. Both points, lol. On TV shows, a lot of editing and decision making has to go through a number of people. When a number of people are involved in one decision, in my opinion, they tend to drive each other along a specific pattern. One person wants to take a risk, and seven more people hmm and haw over it for a while and compromises are made. I think that’s when the stagnating happens. Moral of the story? Fuck teamwork, I guess.
And yeah, I definitely don’t follow the write what you know thing. I follow the write what you’re interested in knowing thing. Write what you love, or write what piques your curiosity. As long as interest or love is there, as pippy put it, I definitely think it’ll show. Annnd if you don’t wanna get lost in the research, go my favourite lazy route! Fantasy world based loosely on 18th century france or ancient greece or whatever!
Anyway, back to the original question. I think it’s much easier to avoid stagnation when you make all the decisions. Though if you’re like me and you go where your inspiration takes you, there will be a lot of recurring themes, simply because I tend to get inspired by specific, similar things. Luckily there are all kinds of ways to keep them fresh. I mean Stephen King has written how many books about horror shit in New England? People still love him. Some audiences like knowing what to expect from authors. Using recurring themes and settings across most of your stories can breed that sort of security. I know when I really like a book and I go look at what else the author wrote, I go hoping for similar things, and if I find all kinds of very different things, I’m often disappointed. There’s nothing wrong with a rut, as long as that rut is a friggin enjoyable rut.
But sticking to a set formula, as a writer, isn’t nearly as fun. I desire variety. I want to try all kinds of genres – all kinds of pairings and villains and heroes. I wanna do feminist fiction and nautical shit, and senseless, horrifically depraved smut. However, most attempts to venture from what I’m good at or certain of will die on the cutting board and never see the light of day, but I think it’s important to explore those dead ends when you feel the urge. Even if just to get it out.