GeorgeGlass

Definitely, many of my stories originate with my feeling that I have a good story to tell.
With regard to porn stories, they always begin as fantasies, and I write them up because I feel that they become hotter if they have an existence outside of my own head.

I’m so glad you mentioned that line. I’m not always able to come up with a last line for a story that I really like, but I was very happy with that one.
Thank you! And no worries, there’s more on the way.

Thanks!

Have you considered starting a review reply thread in the AFF forums? I do that for all my stories, mainly so people who review them won't feel like they're shouting into the void.
I had no idea. Thanks!
Did you review it anonymously? I don't remember getting any reviews from you before.
That was really what I was aiming for: to immerse readers in the story and make them part of it. It was pretty experimental; I'd never even considered writing a story in the first person plural before.
Thanks!
Good to know. I was really trying to do the opposite -- to make the story partly a conversation between Lucy and the reader. But maybe that's just not doable (at least, not in the way I tried to do it).
 
It was definitely fun (although the most fun parts to write were Lucy's comments and insights). It was also the hardest part, in some respects, because it's meant to imply that the order in which these five scenarios begin is also the order in which these different activities got started over successive Friday nights. (“Ontogeny recapitulates phylogeny,” as the biologists like to say once they've got a few drinks in them.) So Lynn started it all with her sleepwalking-that-fools-no-one routine, which prompted Leni and Luna to start doing their silent lap dance thing, which emboldened the twins to unleash their pent-up desires on Luan, which inspired Lisa to start having regular rendezvous with her extradimensional fuck buddy, which put the idea into Lori's head to “borrow” Lily while that's going on.
Thank you! It helps that all of the action in that scene takes place in one location -- the hallway -- so there's no need to switch from one peephole to another like we do throughout the rest of the story.
Thanks! I completely agree that Luan is hardest to write. In canon, she almost never stops joking, and it's hard to keep that up over multiple lines of dialogue. But for better or worse, my dad had a similarly dorky sense of humor, and having been exposed to it for decades, I can drum up bad puns when necessary.
There are some twins whom developmental psychologists describe as “over-identified"; each twin's identity is so bound up in the other’s that they don't know who they are as individuals. This vignette is based on the premise that Lola and Lana are scared of that happening to them, so they make a conscious effort to be different from each other -- but they still have the same underlying tendencies and urges.
Thanks again.
I wrote that before Luna's bisexuality was revealed on the show. I just figured that it seemed plausible. And Leni has a sort of naive open-mindedness that I thought would make this a believable scenario for her, too.
Absolutely. It's a completely balanced relationship (which is why Luna will be dancing for Leni the next Friday night).
I wanted it to be unclear until the end what was really going on with each of them. Despite having been at this the longest, they are also the ones most in denial. In fact, they may not even know what their sisters are getting up to during their liaisons -- let alone that they inspired it all.
Thanks. I didn't want to sideline Lily the way I did in “Whoops,” and I have a mother-child incest fetish, so I thought this was the thing to do. I also love writing dirty talk, sometimes more than writing the action.
Yes, I do. And I think there is a wide range of crazy that is plausible for Lori. We've seen her be the responsible elder sister, and we've seen her come completely unglued. For this story, I wanted to go somewhere in between, but I do see your point.
Of the two big secrets that Lucy mentions at the end, the first (which she explains) is that the Loud kids inherited their horniness from their parents. But the second secret, which Lucy only hints at, is that all the Loud kids have a great capacity for love. We see that capacity manifest itself in a variety of ways in the final scenes.
I see your point. It’s on a completely different level of plausibility from the rest of the story.
I should note that I didn't quite manage to flesh out the idea behind Lovecraft -- not just that Lisa can control him, but also that she feels safer expressing her affection for him than for the human beings in her life.
I wanted her to be an Alfred Hitchcock-type host. Which is why her first words to us are “Good evening.”
I wrote that before I even knew that the show is set in Michigan. I just thought there was something Midwestern about Royal Woods.
Thanks!
Thanks again!
Yes, I've gathered that.
Or any cute girl for that matter (but especially his sisters, obviously: incest is the best!). Again, you know me. That's all besides the point though. Great work, man.
Sounds like fun to me.
You too! And if you’d like to send me an email some time, I’m at gglass999@hotmail.com.

Glad you didn't mind the lack of, um, payoff.
Let's face it, if there's one Loud who would be voted Most Likely to Become a Supervillain, it would be...well, Lisa, but Lola would come in...okay, third after Luan, but still...
I'd say it was a mix: Some were freaked out by having done it, and some were freaked out by having liked it.
I see Lucy as the most introverted and, therefore, the most self-aware of the Loud kids.
I loved writing that bit. My stories are probably predictable in some ways, but I like to at least keep readers guessing about whether there's going to be incestuous snuggling or projectile barfing at the end.
Thanks for the beta and the comments!

Funny enough, IIRC, the summer heat wave many years ago (in a house w/o AC) as a kid is how I started sleeping nude.

Should I maybe pin these until DG can get to them, just so the oldest requests don't get lost?

Pippychick, if I end up writing a story called “Terms of Service,” it’s gonna be your fault.

Pippychick, if I end up writing a story called “Terms of Service,” it’s gonna be your fault.

Pippychick, if I end up writing a story called “Terms of Service,” it’s gonna be your fault.

Pippychick, if I end up writing a story called “Terms of Service,” it’s gonna be your fault.

Someone moves into a new house. While waiting for their new wifi to be set up, they can’t help noticing that alongside all of their new neighbours’ locked wifi connections, there is an open connection with an innocent title. Maybe it calls itself “Free Wifi” or something. Maybe the person ignores it at first. So it gets creative. It changes its tag.
WHAT ARE YOU WAITING FOR? (OPEN)
JOIN THIS NETWORK (OPEN)
WHILE YOU’RE WAITING FOR YOUR OWN WIFI TO BE SET UP (OPEN)
Maybe it starts calling the person by name. Until, eventually, overcome and doomed by their own curiosity, they connect.
What do they expect? The world to fall down? Did they use that less valuable laptop? The old one? You know the one, the one that it doesn’t matter if it gets compromised somehow? The one they never use for banking? Does it matter?
They’re online. They can do all the usual things they do while online. They can read the news, go on twitter, talk to friends. They can view pornography. They can post any old filth that they want. Perhaps it’s surprising how quickly they trust this new connection, having run a couple of virus checkers and malware programs. There’s really nothing wrong with it. Maybe there’s something wrong with them.
Possibly, they never actually made it to their new house, and their newly freed soul got lost somewhere on the way to the next place. The choices they make and the spaces they visit would determine which place that would be; heaven or hell.
Obviously, I’m imagining it would be a lot more fun for the MC to be damned by themselves, but you could go the other way. It’s a microcosm (in a story) of the whole ‘free will’ thing, so you could make it as philosophical as you want, as satirical as you want, and clearly there’d be lots of lovely temptation going on left, right and centre that you could play with.

Maybe try writing something from a perspective you’ve never used before. I recently wrote a story in the first person plural (“We look down into the hallway and see...”), and it was a very interesting experience.

hi everyone, sorry about going off the grid but kinda been in areas without internet and we decided to interact with each other this summer and not online. We had an amazing adventure with the family, building good memories as Steve puts it. I gotta admit he sure as hell knows how to build memories LOL. Well he’s letting everyone know that everyone is doing good, even Steve. He’s had a few days but all in all he is doing very well, his doctors are very pleased and so are we.
Kids are back in school, but I decided to retire. I miss teaching but I wanna spend as much time with Steve as I can, I know its selfish but I don’t care. I’ve decided that sometimes its good to be shallow and self serving
as for writing, sorry but we haven’t written a word all summer, we meant to but just never seemed to find the time, and I actually think that was a good thing  But now that we are home, and things get more into our normal routine, we should start writing again. Sorry about the abandonment but I gotta put my guy and my family first.

reference from the deadpool movie
looks like i jumped to the conclusion lol

Because rape is one of my fetishes, I’ve written several purely pornographic rape stories, and by and large, they attract a lot more readers than most of my consensual-sex stories. (The ultimate reader-magnet seems to be father-daughter rape, given that the stories of mine that have the most dragon prints are titled “Daddy’s Rules” and “Darla’s Dad.”) So I think “shock value” only tells part of the story; some authors write rape scenes because they know that such scenes appeal to a decent chunk of their readership—whether the readers will admit it or not.
But in non-porn stories, I agree with Tcr that rape is not “lazy writing” if it advances the plot or character development in some important way. (The same goes for murder.)

I’d probably start with denial. The character would try desperately to think of alternative explanations of what happened.

Exactly. And that’s a good observation to make, because the similarity among Dippers will continue to be important to the plot.
Thank you!
She may not be in love with Dipper, but she certainly likes him, so she wouldn't just use him and cast him aside. She just assumed that Dipper was operating on the same set of assumptions that she was, and that after a couple more years of fooling around together, they would amicably break it off, and Dipper would go find himself a Mrs. Robinson. She didn't count on Dipper actually being in love with her.
One thing I especially enjoyed in planning the shotaverse chapters was figuring out how social norms would differ if it was usual for older girls to date younger boys. Basically, it gives girls both more power and more responsibility. (For example, as we saw with Tambry and Chez, it's the girl's responsibility to make sure the boy is home by curfew.) And I really liked the idea that in the shotaverse, losing your virginity is a bigger deal for boys than for girls.
She is kinda butch. The word Mabel uses to describe her, “lumbersexual,” is typically used for men.
Thanks! Being on a journey of self-discovery, Dipper is going to be doing a lot of introspection in the course of this story, which provides plenty of opportunities for bits like that.
I love writing Grunkle Stan's dialogue.
My bad. I totally forgot about that line. Although, as you point out, it does rather concisely illustrate one of the down sides of life in the shotaverse.
No spoilers.
Yeah, I could see that. Except she’d probably break into a hacking cough halfway through the first line.
Thanks for the review!

HOLY SHIT I FINALLY FINISHED FISTBUMP 2!
If there’s anyone still following the story, go ahead and check out the archive. Chapter 11 is up, and the rest will follow in the days to come.
E-o-F

Yes, it was a conscious choice that I made all the way back in April of 2015 that I wanted to make this fic dark and intense. True, I didn’t really know much about writing at that time, and next to nothing about fan service to an established fandom, so perhaps I went too far.
But there actually was a good justification for something extreme to happen to Dipper at that point in the story: I wanted the parents to know that *something* had happened between the twins, but for there to be a logical reason for them to not press the kids for details. A traumatic event such as a major injury serviced this nicely. 
I have never had an issue with substance abuse and addiction, but I did enough research to hope that what I was writing was relatable. I’m glad some of it found its way through.
E-o-F

(btw, I’ve just read it.)

I'm afraid WWOEC is no more. The site owner shut it down a couple of years ago.

And I’m pretty sure you have an inkling that that’s exactly where this is going.
Thanks! I hope your hopes prove justified.

Thank you!
I’m not planning to add any more chapters to this story, but I’m sure to be writing more Loud House stories – some of which will involve girls outside the Loud family.
Also, if you enjoyed “Whoops,” then you might like my other Loud House fic, “The Loud House After Dark.”

There’s something I just love about Steven and Connie’s friendship, much in the way that I love Star and Marco’s on SVTFOE -- except that Steven and Connie’s connection clearly includes a mutual romantic vibe in addition to their friendship.
That wasn’t my intent, but now that you mention it, that’s probably the best interpretation of what happened (given how Garnet’s future vision works).
One of my favorite themes is innocence. I love making characters who want each other figure out how to fulfill their desires.
Nope.
You and me both.
It could still be an episode. I’m sure Rebecca Sugar could find a way to do it all in metaphor.
Glad you liked it.
These two characters are all about cute and sweet and innocent obliviousness. That’s why I wanted to write a story about them -- even if it did take me more than 2 years to finish it.
Not going there.
I put Greg in at the end to help ground the story in the broader reality of the show. I also wanted to show Connie’s reaction -- and her reaction to her reaction -- through the eyes of someone who has no idea what they really mean.
We don’t get to see that much of Garnet’s thought process on the show, so I thought it would be fun to get into her head a little.
I liked the idea of Steven and Connie completely rewriting the rules of the game just so that they could sit next to each other (and have an excuse to play-wrestle).
Connie knows how to speak Steven.
Of all the lines of dialogue in this story, I think Pearl’s bath water line is my favorite.
Again, trying to ground the story in reality -- including the pedestrian details of Greg’s job.
Thanks for another uplifting review!